Alright, I have been very busy this semester. I am still harvesting materials from the landscape but I am also implementing metal and nylon into these works. I also included my Plaster carving because hell, that was the last thing I was working on at Linfield.
These images are of a couple cocoons attached to a weathered piece of wood. I was reading Rebecca Solnit's book A field Guide to Getting Lost, and on page 83 she talks about the process of transformation consists of mostly decay and if a chrysalis were to be cut open it would contain a rotting caterpillar inside. This hit me like a truck! I loved the idea of something decaying inside a enclosed space so I tried to replicate it.
Whole Piece.
Close-up of one of the cocoons.
Here is my plaster carving. I was a little upset that the tail broke when I was trying to create some negative space but now I can really play with the amount of space between the main piece and the tail end.
One of my metal and found wood pieces, was playing around with the "trash" pieces from the next piece and made this piece.
This piece was fun to make, it started out as a heart in my head. When I began forming the metal it changed to lungs. Now I have no idea what it is, but I like it. There are some welding rods piercing through the metal. Recently, I have burnt the rods so they no longer have that bright copper look to them.
Here is the same piece from the other side. (Flash I know!) Still trying to figure out Photoshop please keep this in mind.
Close-up of the rods, they remind me of the voodoo pins. Like I said previously, they are no longer that bold copper color.
Here is my latest piece, I found the stump by the Rio Grand River and I could not leave it behind.
I formed more metal and used a patina on it in order to move away from the metal-ness of it.
Really like this, I filled panty-hoes with packing peanuts and then cut some small holes in the first layer of nylon, creating a punctured intestine appearance. Also working with the idea of parasites and how they burrow into something and take it over inside out.
Here is an image of the back end of the piece so to speak. It has plenty of that worm-intestine squirming around under layers of metal. A whole lot going on.
Well, as you can see I have begun using metal again. I really enjoy forming the metal and learning new techniques as often as I can pester the Mattox woodshop/metalshop manager Justin.